What I do!

Mario Martin’s love for storytelling originated as a young boy when he felt inspired to tell stories through writing. At eighteen he shot his first film, “Checkmate.” That was the birthing of his passion for film-making and screenwriting.

Early on he honed his craft at the Maine Media Workshops and Boston Film & Video Foundation. Mario has attended many screenwriting boot-camps, worked with multiple coverage companies and many screenwriters.

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Detritus; “Feeling, INSIDE-OUT.” #scriptdick

April 30, 2020

EXT. LOG-CABIN – MONTANA – DAY

BACK ON EARTH ONE WEEK.

Log-cabin, Hummer parked in driveway near a waterfall and river.

Waterfall and river near the log-cabin.

EXT. RIVER – MONTANA – DAY

John and Tony sit in a small boat, both have a fishing-pole in hand. John sits expressionlessly.

Daylight fills the morning sky.

John, expressionless, stands in the boat. He shows Tony how to hold a fishing-rod, how to cast. He turns to Tony, fishing-rod in hand. Tony looks at the fishing-rod.

JOHN

“When the line tugs. That means you got one.”

O.S.(off screen) Libby barks.

John and Tony turn to the river bank. Libby runs back and forth, barks at Tony and John.

JUST THEN

Tony’s fishing-line tightens. His eyes widen. He firmly grips the fishing-pole with both hands.

TONY

“Sir, I caught a fish! Look Sir, I caught a fish!”

John turns to Tony who holds his fishing-line with a small fish on the end.

JOHN

“Good.”

EXT. CAMPFIRE – NEAR LOG-CABIN – MONTANA – NIGHT

John and Tony sit around the fire. Tony appears tired, John is expressionless. Libby lays nearby, pants, appears happy. John turns to Tony.

JOHN

“My name is John. Call me, John.”

Tony appears to listen carefully.

TONY

“John, I would like to chop wood.”

LIBBY

“Bark.”

John, expressionless, turns to Tony.

JOHN

“Tomorrow.”

EXT. RIVER-SIDE – NEAR LOG-CABIN – MONTANA – DAY

John sits alone on a big rock at the rivers edge. He appears reflective.

EXT. RIVER – MONTANA – DAY

John and Tony, Kayak on the river.

John leads in his kayak, approaches turbulent waters with a drop off.

John navigates ahead of Tony in his kayak, he approaches a drop off, spins his kayak to a stop.

Tony in his Kayak in calm water next to a fast flowing current.

Turbulent waters suck Tony’s kayak into the fast flowing river, shoots his kayak out over the drop off. Tony’s kayak spins around uncontrollably in the rapids.

John quickly kayaks over to Tony.

INT. LOG-CABIN – MONTANA – NIGHT

Tony lays on the couch on his back. His right arm is wrapped from his wrist to his elbow with white gauze, blood stained at the bottom.

John sits shoe-less in a cloth wing-chair, stares away expressionlessly, turns to Tony.

JOHN

“less pain, same, or more?”

Tony lifts his bandage-less arm, moves his hand side to side.

JOHN

“Same, huh?

Tony nods.

JOHN

“Your strong. You’ll be fine.”

Tony closes his eyes, falls asleep. Libby lays on the floor near Tony, pants peacefully.

EXT. LOG-CABIN PORCH – MONTANA – NIGHT

John stands alone on the log-cabin porch.

He looks up at the stars, closes his eyes for a moment.

VISION OF MORGAN IN JOHNS HEAD

JOHN

“Where are you?”

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What I do!

Mario Martin’s love for storytelling originated as a young boy when he felt inspired to tell stories through writing. At eighteen he shot his first film, “Checkmate.” That was the birthing of his passion for film-making and screenwriting.

Early on he honed his craft at the Maine Media Workshops and Boston Film & Video Foundation. Mario has attended many screenwriting boot-camps, worked with multiple coverage companies and many screenwriters.